Fallout new vegas ost goodsprings license#

Fallout new vegas ost goodsprings license#

Courtesy of Geffen Records Under License from Universal Music Enterprises Stars of the Midnight Range Written and Performed by Johnny Bond and his Red River Valley Boys Red River Songs, Inc. Courtesy of RCA Records By Arrangement with Sony Music Licensing Johnny Guitar Written by Victor Young and Peggy Lee Performed by Peggy Lee (C) 1954 Chappell & Co. It's a Sin Written by William Grishaw Performed by Eddy Arnold Sony/ATV Milene Music (ASCAP). By Arrangement with DePugh Music Heartaches by the Number Written by Harlan Howard Performed by Guy Mitchell Sony/ATV Tree Publishing (BMI). Courtesy of Columbia Records By Arrangement with Sony Music Licensing Hangover Heart Written by Hank Thompson and Pat Hagen Performed by Hank Thompson Used by Permission of EMI Entertainment World, Inc. (BMI) All Rights Administered by Unichappell Music Inc, Mariposa Music, Inc. (ASCAP) 'Courtesy of Cassidy Music, LLC'īlack Mountain Radio Big Iron Written and Performed by Marty Robbins (C) 1958 Unichappell Music Inc. Sawyer and Nathaniel Chapman Courtesy of Bethesda Softworks LLC Why Don't You Do Right? Written by Joe McCoy Performed by Peggy Lee, featuring the Dave Barbour Quartet Used by permission of Morley Music Co. Courtesy of Bing Crosby Enterprises Under License From South Bay Music Group Streets of New Reno Written by J.E.

Sawyer and James Melilli Courtesy of Bethesda Softworks LLC Something's Gotta Give Written by Johnny Mercer Performed by Bing Crosby (C) 1954 The Johnny Mercer Foundation (ASCAP) All Rights Administered by WB Music Corp. By Arrangement with DePugh Music New Vegas Valley Written by J.E. Under license from EMI Film & Television Music Mad About the Boy Written by Noel Coward Performed by Helen Forrest (C) 1932 Chappell Music Ltd (PRS). (ASCAP), Harold Adamson Music (ASCAP) Courtesy of Capitol Records, Inc. Courtesy of Columbia Records By Arrangement with Sony Music Licensing Love Me as Though There Were No Tomorrow Written by Harold Adamson and Jimmy McHugh Performed by Nat King Cole (C) 1955 Used by Permission of EMI Entertainment World, Inc. Jingle, Jangle, Jingle Written by Joseph Lilley and Frank Loesser Performed by Kay Kyser Sony/ATV Harmony (ASCAP). Sawyer and Nathaniel Chapman Courtesy of Bethesda Softworks LLC It's a Sin to Tell a Lie Written by Billy Mayhew Performed by The Ink Spots (C) 1936 (Renewed) WB Music Corp. Sawyer Courtesy of APM Music Home on the Wastes Written by J.E. Sawyer Lyrics published by Bethesda Softworks LLC Performed by J.E. Under license from EMI Film & Television Music Cobwebs and Rainbows Music by Dick Stephen Walter Lyrics by J.E. Courtesy of Columbia Records By Arrangement with Sony Music Licensing Blue Moon Written by Richard Rodgers and Lorenz Hart Performed by Frank Sinatra Used by Permission of EMI Entertainment World, Inc. Under license from EMI Film & Television Music Big Iron Written and Performed by Marty Robbins (C) 1958 Unichappell Music Inc. (ASCAP) Courtesy of Capitol Records, Inc.

Radio New Vegas Ain't That a Kick in the Head? Written by Sammy Cahn and James Van Heusen Performed by Dean Martin Maraville Music Corp. See the pages for the radio stations, or see the songs page for correct track information. Note: The track listings in the credits do not accurately reflect the playlist for those stations. Music supervision and clearance was done by Christopher S. ĭespite the game having numerous references to Elvis Presley, developer Jason Bergman revealed on the Bethesda forums that performance rights to any of Elvis' songs would be too costly. ĭeveloper Joshua Sawyer contrasted the music choice of Fallout 3 as having a 'goofy upbeatness' of the '30s and '40s, while New Vegas focused the crooner-style Rat-Pack-late '50s, as well as bluegrass and country music from the '40s to the '50s. Audio director Scott Lawlor was responsible for the inclusion of the ambient tracks by Mark Morgan from Fallout and Fallout 2. In addition to 80 minutes of new score, Bethesda and Obsidian got the rights to integrate the previous scores from earlier Fallout games. Regarding the period tracks: 'the score for New Vegas is basically portraying more of the psychological place that we want the player to be and the songs are giving them more of the adventure of the era.' The result is 'quite a twangy, a little Western, but a very twisted western sound.' In comparison to Fallout 3, Fallout: New Vegas went for a smaller scale using sound design synthesizers, The Lyris Quartet providing the strings and a few guitars. Inon Zur reprised his role for composing the orchestral score.